Assignment : {major=16} Modern literary criticism (URV)
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maharani nandkuvarba mahila arts and commerce college
NAME : Upadhyay Rudri Virendrabhai
YEAR: ty [sem-6]MAIN SUBJECT: EnglishPAPER NAME: [major-16] Modern literary criticism
ASSIGNMENT NAME & TOPICS;1.Class assignment- structuralism
2 .Home assignment-psychoanalytic criticism
3.ESSAY ASSIGNMET : psychoanalytic study and criticism
FACULTY NAME : Rachna ma'am
CLASS ASSIGNMENT
STRUCTURALISM : 1. Scope of structuralism ,2. what structuralism critic do?,3.structuralistic criticism : examples .
Structuralism is a literary and cultural theory that studies the underlying structures that shape language, literature, and human culture. It is mainly associated with the linguist Ferdinand de Saussure, who introduced the idea that language is a system of signs. Later thinkers like Claude Lévi-Strauss applied it to anthropology, and Roland Barthes applied it to literature.
The scope of structuralism is wide because it can be applied to many fields of study:
1. Linguistics
Structuralism began in linguistics. Saussure explained that language is made up of:
Signifier (sound or word)
Signified (concept or meaning)
Structuralism studies how words gain meaning through their relationship with other words in a system.
2. Literary Criticism
In literature, structuralism analyzes:
The structure of a text
Narrative patterns
Themes and symbols
Binary oppositions (e.g., good/evil, light/dark)
It focuses on how a story is constructed rather than the author's intention or historical background.
For example, structuralists study common story patterns found in myths and folktales.
3. Anthropology
Claude Lévi-Strauss used structuralism to study myths and tribal cultures.
He believed that all human cultures share similar mental structures and patterns.
4. Semiotics (Study of Signs)
Structuralism studies how signs function in society — including:
Advertisements
Fashion
Films
Media
Roland Barthes analyzed everyday objects and popular culture as systems of signs.
5. Narratology
Structuralism studies the structure of narratives:
Plot patterns
Character roles
Repeated story formulas
It examines how stories follow certain universal models.
Key Features of Structuralism
Focus on structure rather than individual elements
Meaning comes from relationships within a system
Interest in binary oppositions
Scientific and systematic approach
Conclusion
The scope of structuralism is very broad. It extends from language to literature, anthropology, media, and culture. Structuralism helps us understand how meaning is created through hidden structures and systems that operate beneath the surface of texts and society.
2. What structuralist critic do?
A structuralist critic studies the structure of a text rather than focusing on the author’s life, historical background, or personal emotions. Structuralist criticism is mainly influenced by Ferdinand de Saussure and later developed by thinkers like Roland Barthes and Claude Lévi-Strauss.
Here is what a structuralist critic does:
1. Studies the Structure of the Text
A structuralist critic analyzes how a text is organized:
Plot structure
Narrative pattern
Repeated motifs
Character roles
They believe meaning comes from the arrangement of elements within the text.
2. Looks for Binary Oppositions
Structuralists identify opposites in a text, such as:
Good vs Evil
Light vs Darkness
Nature vs Culture
Rich vs Poor
These oppositions help reveal the deeper meaning of the work.
3. Analyzes Language as a System
Following Saussure’s idea, structuralist critics examine:
Signs (signifier and signified)
How words gain meaning through difference
The relationship between language and meaning
They treat literature as a system of signs.
4. Identifies Universal Patterns
Structuralist critics search for:
Common story patterns
Mythical structures
Archetypal roles
For example, they may study how many stories follow similar structures (hero’s journey, conflict-resolution pattern, etc.).
5. Focuses on the Text, Not the Author
A structuralist critic does not emphasize:
Author’s biography
Personal feelings
Historical context
Instead, they focus on the internal system of the text.
Conclusion
A structuralist critic studies the underlying structures, patterns, and systems that shape a literary work. They believe that meaning is not individual or personal but produced by the structure of language and cultural systems.
3.structuralist criticism : example
Structuralist criticism is a method of literary analysis that studies the structure of a text rather than the author’s life, emotions, or historical background. It is based on the linguistic theories of Ferdinand de Saussure, who explained that language is a system of signs. Later thinkers such as Claude Lévi-Strauss, Roland Barthes, and Vladimir Propp developed structuralist ideas in anthropology and literature.
Structuralist critics believe that meaning is not created by individual words or personal experiences but by the underlying structures that organize language and culture.
Key Principles of Structuralist Criticism
1. Literature as a System of Signs
Saussure stated that language consists of:
-
Signifier (the word or sound)
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Signified (the concept or meaning)
Structuralist critics apply this idea to literature and argue that a text is a system of signs where meaning is produced through relationships between elements.
2. Binary Oppositions
Structuralism emphasizes binary oppositions, such as:
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Good vs Evil
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Light vs Darkness
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Rich vs Poor
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Nature vs Culture
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Love vs Hate
These oppositions help reveal the deep structure of a text.
3. Focus on Structure, Not Author
Structuralist criticism:
-
Does not focus on the author’s biography
-
Does not emphasize personal emotions
-
Does not concentrate on historical context
Instead, it studies how the text is constructed.
4. Universal Patterns
Structuralists believe that many stories share similar patterns and structures across cultures.
For example, folktales often follow a similar structure:
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Problem
-
Conflict
-
Help
-
Resolution
Example of Structuralist Criticism
Example 1: Cinderella
A structuralist critic would analyze the structure of Cinderella rather than its author.
(A) Binary Oppositions
The story is built on opposites:
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Kind vs Cruel
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Beauty vs Ugliness
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Rich vs Poor
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Oppression vs Freedom
These oppositions create meaning in the story.
(B) Narrative Structure
The story follows a common pattern:
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Initial Situation – Cinderella is unhappy and treated badly.
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Conflict – Stepmother prevents her from attending the ball.
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Supernatural Help – Fairy godmother appears.
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Climax – The ball and glass slipper.
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Resolution – Marriage with the prince.
This structure is common in many folktales.
(C) Character Functions (Propp’s Theory)
According to Vladimir Propp, folktales have fixed character roles:
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Hero – Cinderella
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Villain – Stepmother
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Donor – Fairy godmother
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Helper – Magical elements
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Prize/Reward – Marriage
The focus is on their functions, not their personalities.
Example 2: Romeo and Juliet
In Romeo and Juliet, a structuralist critic would focus on:
Binary Oppositions:
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Love vs Hate
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Youth vs Age
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Individual vs Society
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Life vs Death
The tragedy develops from these structural oppositions.
The critic studies how the conflict between the Montagues and Capulets forms a structural pattern that leads to tragedy.
Conclusion
Structuralist criticism studies the hidden structures, patterns, and systems that organize literature. It focuses on:
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Language as a system
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Binary oppositions
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Narrative patterns
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Character roles
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Universal structures
HOME ASSIGNMENT
psychoanalytic criticism :
1.How Freudian interpretation works:
Freudian interpretation is a method of literary criticism based on the psychoanalytic theories of Sigmund Freud. It studies how unconscious desires, repressed emotions, childhood experiences, and hidden fears influence characters, authors, and literary texts.
Freud believed that human behavior is largely controlled by the unconscious mind, and psychoanalytic critics apply this idea to literature.
Basic Principles of Freudian Theory
1. The Structure of the Mind
Freud divided the human mind into three parts:
Id – Instincts, desires, pleasure principle
Ego – Rational thinking, reality principle
Superego – Moral values and conscience
In literature, critics analyze how characters struggle between these forces.
2. The Unconscious Mind
Freud believed that many feelings and desires are repressed (hidden in the unconscious).
Freudian critics look for:
Hidden meanings
Symbolic actions
Dreams and fantasies
Repressed emotions
3. Oedipus Complex
One important Freudian concept is the Oedipus Complex, named after the Greek myth and the play Oedipus Rex by Sophocles.
Freud suggested that:
A boy may unconsciously desire his mother and feel rivalry toward his father.
A girl may experience a similar conflict (Electra complex).
Critics use this concept to analyze family relationships in literature.
How Freudian Interpretation Works in Literature
Step 1: Analyze Characters Psychologically
The critic studies:
Hidden fears
Repressed desires
Sexual impulses
Childhood trauma
Example: A character’s anger may represent repressed frustration.
Step 2: Interpret Symbols
Freudian critics believe that many objects or events in literature symbolize unconscious desires.
For example:
Dreams represent hidden wishes.
Darkness may symbolize fear or repression.
Water may symbolize birth or sexuality.
Step 3: Study Author’s Psychology (Sometimes)
Some Freudian critics analyze:
The author’s childhood
Personal trauma
Psychological conflicts
They believe literary works may reflect the writer’s unconscious mind.
Example of Freudian Interpretation
Example: Hamlet
In Hamlet by William Shakespeare, a Freudian critic might argue:
Hamlet delays killing Claudius because of unconscious Oedipal feelings.
He may feel guilty because Claudius has fulfilled Hamlet’s hidden desire (killing the father and marrying the mother).
His inner conflict represents the struggle between id, ego, and superego.
Conclusion
Freudian interpretation works by uncovering the hidden psychological meanings in a text. It:
Focuses on unconscious desires
Analyzes symbols and dreams
Studies repression and childhood experiences
Examines inner conflicts of characters
Thus, Freudian criticism sees literature as an expression of the human unconscious mind.
2.What Freudian psychoanalytic criticism critics do?
Freudian psychoanalytic critics apply the theories of Sigmund Freud to literature. They believe that literary texts reveal hidden desires, unconscious fears, repressed emotions, and psychological conflicts. Their goal is to uncover the deep psychological meaning behind characters, symbols, and events.
1. Analyze the Unconscious Mind of Characters
Freudian critics examine:
Repressed desires
Hidden fears
Childhood trauma
Guilt and anxiety
Dreams and fantasies
They believe that characters often act according to unconscious motives rather than logical thinking.
2. Examine Id, Ego, and Superego
Freud divided the mind into three parts:
Id – Instincts and desires
Ego – Rational thinking
Superego – Moral values
Critics study how these forces conflict within characters.
3. Interpret Symbols Psychologically
Freudian critics interpret symbols as expressions of unconscious desires.
For example:
Dreams = wish fulfillment
Darkness = fear or repression
Locked doors or closed rooms = hidden secrets of the mind
4. Study Family Relationships (Oedipus Complex)
Freud’s idea of the Oedipus Complex (inspired by Oedipus Rex by Sophocles) is often used to analyze family conflicts and parent-child relationships in literature.
Example: Macbeth
In Macbeth by William Shakespeare, a Freudian critic might analyze:
1. Repressed Ambition
Macbeth’s ambition represents the id (desire for power).
His conscience (superego) creates guilt after he kills King Duncan.
2. Guilt and the Unconscious
Macbeth sees hallucinations (the dagger and Banquo’s ghost).
Lady Macbeth sleepwalks and tries to wash imaginary blood from her hands.
These actions symbolize repressed guilt and psychological disturbance.
3. Defense Mechanisms
Macbeth tries to justify his crimes to reduce anxiety — this shows psychological defense mechanisms.
Conclusion
Freudian psychoanalytic critics:
Study unconscious desires
Analyze id, ego, and superego
Interpret symbols psychologically
Examine guilt, repression, and defense mechanisms
They view literature as an expression of hidden psychological conflicts within the human mind.
3. Freudian psychoanalytic criticism : example
Freudian psychoanalytic criticism is based on the theories of Sigmund Freud. It studies unconscious desires, repression, guilt, dreams, sexuality, and inner psychological conflicts in literary works.
Example 1: The Scarlet Letter


In The Scarlet Letter by Nathaniel Hawthorne:
Repression and Guilt
Arthur Dimmesdale hides his sin of adultery.
According to Freud, repressed guilt does not disappear — it returns as suffering.
Dimmesdale’s illness represents his unconscious guilt.
Id and Superego Conflict
His hidden desire represents the id.
His strong religious morality represents the superego.
His mental suffering shows the conflict between them.
Example 2: Oedipus Rex
In Oedipus Rex by Sophocles:
Oedipus Complex
Freud developed the concept of the Oedipus Complex from this play.
Oedipus unknowingly kills his father.
He marries his mother.
Freud believed this story reflects unconscious childhood desires present in all humans.
Fate and the Unconscious
Oedipus tries to escape fate, but his unconscious actions lead him toward it.
This shows how hidden forces control human behavior.
Conclusion
Freudian critics:
Study unconscious motives
Analyze repression and guilt
Examine id, ego, and superego
Interpret symbols and dreams psychologically
They see literature as a reflection of hidden psychological conflicts within the human mind.
Psychoanalytical Study: Love Marriage vs Arranged Marriage
A psychoanalytical study of love marriage and arranged marriage is based on the theories of Sigmund Freud. Psychoanalysis focuses on the unconscious mind, childhood experiences, hidden desires, family influence, and inner conflicts.
Instead of studying marriage socially or culturally, psychoanalysis studies it psychologically.
1. Love Marriage – A Psychoanalytic View
In love marriage, individuals choose their partners based on attraction, emotion, and personal desire.
(A) Role of the Unconscious
Freud believed that attraction is not fully conscious. A person may choose a partner who:
Resembles a parent (Oedipus/Electra influence)
Reflects childhood experiences
Fulfills hidden emotional needs
Thus, love may be influenced by unconscious desires.
(B) Id, Ego, and Superego
Id – Romantic passion, physical attraction
Ego – Practical decision-making
Superego – Social morality and family expectations
In love marriage, the id (desire and emotion) often plays a stronger role. Conflict may arise when the superego (society/family) opposes the choice.
(C) Idealization
Psychoanalysis says lovers may idealize each other.
They project their fantasies and unconscious wishes onto their partner. After marriage, reality may challenge this illusion.
2. Arranged Marriage – A Psychoanalytic View
In arranged marriage, family plays an important role in partner selection.
(A) Superego Dominance
Arranged marriage often reflects:
Social values
Family authority
Cultural expectations
Here, the superego (moral and social rules) is stronger than the id.
(B) Security and Parental Influence
Freud emphasized the importance of childhood attachment.
Arranged marriage may:
Provide psychological security
Reflect trust in parental authority
Reduce anxiety about making the “wrong” choice
The individual may unconsciously seek parental approval.
(C) Repression of Desire
Sometimes personal desires may be suppressed in arranged marriage.
If unconscious wishes are repressed, it may lead to:
Emotional frustration
Inner conflict
Defense mechanisms (denial, rationalization)
3. Psychological Comparison
| Love Marriage | Arranged Marriage |
|---|---|
| Driven by personal desire (Id) | Guided by social rules (Superego) |
| Strong emotional attraction | Focus on stability and compatibility |
| Risk of idealization | Emphasis on family approval |
| Possible conflict with society | Possible repression of personal choice |
From a psychoanalytic perspective:
Love marriage is often influenced by unconscious attraction and emotional desire.
Arranged marriage is shaped more by family authority, social norms, and the superego.
Both forms of marriage involve psychological forces such as desire, repression, projection, childhood attachment, and inner conflict.
Thus, psychoanalysis shows that marriage is not only a social institution but also a reflection of deep psychological processes within the human mind.
A psychoanalytical study of marriage is based on the theories of Sigmund Freud. It focuses on the unconscious mind, childhood experiences, hidden desires, repression, and the conflict between id, ego, and superego.
Psychoanalytical View
1. Love Marriage
(A) Role of the Id
Love marriage is often influenced by:
Romantic passion
Physical attraction
Emotional attachment
According to Freud, attraction may come from unconscious desires or childhood patterns (for example, choosing a partner similar to a parent).
(B) Idealization and Projection
Lovers may:
Project their fantasies onto each other
Idealize their partner
After marriage, reality may break this illusion, leading to disappointment.
(C) Conflict with Superego
If family or society opposes the marriage, there may be tension between:
Personal desire (Id)
Social morality (Superego)
2. Arranged Marriage
(A) Superego Dominance
Arranged marriage often reflects:
Family authority
Cultural traditions
Social approval
Here, the superego plays a stronger role than personal desire.
(B) Psychological Security
Freud emphasized childhood attachment.
Arranged marriage may:
Provide emotional security
Reduce anxiety
Offer family support
(C) Repression
Sometimes personal wishes are suppressed for family expectations.
This repression may cause:
Emotional frustration
Inner psychological conflict
Criticism of Psychoanalytical Approach
Although psychoanalysis provides deep insight, it has several criticisms:
1. Overemphasis on Sexuality
Freud’s theory focuses too much on sexual desire and unconscious impulses.
2. Lack of Scientific Proof
Many psychoanalytic ideas cannot be tested scientifically.
3. Ignoring Social and Cultural Factors
Marriage is also influenced by:
Economic conditions
Education
Social values
Gender roles
Psychoanalysis sometimes ignores these important factors.
4. Western Bias
Freud’s theories were developed in Western society and may not fully apply to cultures where arranged marriage is common.
5. Over-Interpretation
Critics argue that psychoanalysis may interpret simple emotions as deep unconscious conflicts unnecessarily.
Conclusion
From a psychoanalytical perspective:
Love marriage reflects unconscious desire, attraction, and projection.
Arranged marriage reflects social morality, parental influence, and security needs.
However, psychoanalysis alone cannot fully explain marriage because social, cultural, and economic factors also play important roles.
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